![]() Ia mulai menulis artikel dan mengulas film sejak tahun 2006. Hobinya menonton film sejak kecil dan mendalami teori dan sejarah film secara otodidak setelah lulus dari studi arsitektur. ![]() Life is like a meandering river until one day it reaches the endless vast ocean. However, these films have enough value and spirit to be the starting point of a search that may never end. It could be that the film medium has, or hasn’t been able to, or will never answer it. In certain moments of life, humans will question the existence of their lives and God. Masterpiece films with similar themes, for example, 2001: A Space Odyssey, The Matrix, The Tree of Life, Gravity, including The Platform, have further enriched the repertoire of film mediums and genres. Films with religious themes and concepts like this can be explored in many absurd ways. Meander can perfectly present a heavy premise through a unique and classy aesthetic approach, as well as the star’s stunning appearance. It was Weiss who brought this film to life. The star is the only factor that makes the story look humane among the endless mechanical aisles. One more thing, the main factor of the strength of this film is the strong appearance of the actress, Gaia Weiss. Especially for those who are claustrophobic, it can be a horrifying experience. Many of the scenes are a race against time, guaranteed not to make us sit comfortably. However, this anticipated heavy concept certainly does not reduce the film’s aesthetic value, which can package it through horror/thriller actions with unique settings and taut scenes. The story is easy to read where it’s headed from the second half. This film talks about all of this, but when compared to The Platform, Meander is palpable. The answer is with suffering after suffering tremendous, physical, mental, until finally there is no more fear in a human being. A long process of how humans can meet the Creator and go to Heaven. This film is talking about this in more depth, even further talking about the concept of reincarnation. Since the beginning of the film, there has been a slight flick of information that leads to the spiritual (religious) side. Meander also has the same story concept, but it’s too shallow if it’s just this internal conflict. The mother, in one moment, intends to die after her daughter before she finally finds her life spirit again. One span of the story is how the mother’s process until she was finally able to “move on” let go of her daughter. This is similar to the concept of the story of the film Gravity. Meander is simply talking about a mother’s trauma after losing her daughter on a deeper level of meaning. The Meander has a layered meaning and may not be easy for ordinary viewers to read. For fans of horror/thriller/sci-fi, this film may only be read as a taut horror action film. Talking about the plot, this film has many similar settings to The Cube, although this film has a different premise. This could be because the film works at a different level of storytelling, much like the Platform. Absurd, and there is no sufficient explanation of the background of the story. We cannot see Meander literally in the narrative because there is nothing logical in the plot. If this film was released before The Platform or a few years earlier, Meander could well be one of the best sci-fi of all time. ![]() Lisa also finds herself trapped in the trauma of her past due to the tragic loss. Realizing that she had to get out of there, Lisa found herself walking down aisles after alleys, each of which had a deadline before something deadly came. An unfortunate incident happened to Lisa, and she woke up in a narrow room and a hallway somewhere.
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